“It's a Sicilian message. It means
Luca Brasi sleeps with the fishes." Although not a true Throwback Thursday,
last Thursday night (thanks to Essex Cinemas) we were lucky enough to get
access to the newly remastered 40th anniversary edition of The Godfather. I
grew up hearing about The Godfather, but I never got to experience the film
until I was almost out of high school. While working at Costco, The The Godfather Collection was released as a box set on (gasp) VHS and I picked myself up a copy
and for the first time watched the rise and fall of Michael Corleone. From war
hero to hit man to the Don of the Corleone family, Michaels struggle has interested
me since the very first time I popped the VHS in and adjusted the tracking and
now, almost fifteen years later, I finally got to see The Godfather on the big
screen.
Throwback Thursdays have become a
staple amongst my core group of hardcore film nerd friends and, as I stated
before, The Godfather isn’t truly a Throwback Thursday because it’s a 40th
anniversary release, but for the sake of argument it is a throwback movie and
we did watch it on a Thursday so let’s just call a spade a spade. Also, The Ghostbusters re-release only played in 500 theaters nationwide last Halloween
and kicked off Throwback Thursdays at Essex Cinemas, so even though it really
wasn’t a Throwback Thursday it birthed the rest and, well, I think you can see
where I’m going now. So anyway, my friends and I have made every movie so far
(I tried to duck unsuccessfully out of The Blues Brothers but that’s another
story) and in keeping with that tradition as soon as Back to the Future was
over I purchased tickets to The Godfather. I was excited to see it on the big
screen. I mean, I never had before and even more exciting was my wife hadn’t
seen it period, so her first exposure to The Godfather would be on the big
screen - not a bad way to pop your cinema cherry. Little did I know something
darker than Gordon Willis’ Cinematography was afoot; one of the members of our
group didn’t like The Godfather. In fact, he was so against the movie that he
was going to boycott the film and try to get us to do the same. I could try and
explain his side of the argument, but his position (besides just not liking the
film) was never properly explained to me, so instead please check out the
following clip from the Family Guy (Season 4, Episode 27 Untitled Griffin Family History).
Unfortunately, his position did not
change. He didn’t watch The Godfather, but he did head to Club Take 2 and have
the special Lasagna dinner that was prepared to go along with The Godfather.
And as much as I tried to change his mind, he wouldn’t budge which made me
rethink my own position. I mean, why do I like The Godfather? Maybe I was
wrong, maybe the movie isn’t as great as I remembered… or was it? When the
lights dimmed and the movie began I could feel myself trying my hardest to look
at the film with a critical eye; did the wedding scene drag on for too long? No,
it established the family and how the characters interacted. It also got some
exposition out of the way without hitting you over the head with it. Were all the character set-ups necessary?
Once again, yes, every character you learned even just a little bit about
played out beautifully in the long run. Want an example? Sonny plays fast and
loose from the very beginning, hooking up with a bridesmaid, smashing a camera
of an F.B.I photographer (leaving him money in the wake) and also talks out of
turn. But hang–on…before I finish this thought, let me just throw up a…
***SPOILER ALERT***
It feels weird saying that about a
film that came out before I was born, but at the same time I don’t want to ruin
a movie that you maybe haven’t seen yet, so please stop reading if you haven’t
seen The Godfather. Anyway, Sonny’s temper is ultimately what gets him killed,
the very same temper that causes him to smash the camera at his sisters wedding
gets him ambushed later on as he once again flies off the handle upon finding
out his sisters’ husband beat her up again. There’s a set-up and then a payoff
and it works the same for the other characters as well. Coppola and Puzo
carefully crafted each character arc and that makes the overall story much more
interesting and keeps the audience engaged even at the parts that might seem a
little slower. The Sicilian Sequence may feel a little long, but because of it
you learn a little bit more about Michael as he courts the beautiful Apollonia (I
guess the other zip code rules apply). And later on you find out there is no
honor amongst thieves when Favrizio who is supposed to be Michaels body guard
tries to have him killed, but ends up killing Apollonia instead. Each scene
gives you just a little more insight into the world that Coppola and Puzo
created until the movies final climax and my personal favorite scene: the
baptism. The juxtaposition of Michael becoming the Godfather of his sister’s
baby while at the same time becoming a true Don is amazing. I love how Michael
renounces Satan while at the same time is having the most horrendous acts
committed in his name. The sequence is stunning and has to be one of the best
cinematic montages that comes to mind. As far as Peter Griffin stating that the
movie insists upon itself… Well, if you mean weaves a tragic story about a
family engrossed in criminal activity and the rise and fall of Michael Corleone
then yes, it does, and it’s very insisting. Insisting that you care, that you
want to see Michael get revenge on those who have wronged him and his family.
How satisfying was it to see Michael shoot Capt. McClusky in the face after
being roughed up by him earlier? Is that an eye for an eye? No, but McClusky
was a dirty cop and he did get what was coming to him; same as Sollozzo who
tried to have Vito Corleone killed. It’s only later once Michael has Moe Greene
killed that you see Michael has turned a corner. You don’t mess with the
family, and it’s no longer about revenge as it is about growth. What was Moe
Greene’s crime? Not letting Michael buy out his share of the Casino. It
probably also didn’t help that he slapped around Fredo, too. Either way,
Michael made him an offer he couldn’t refuse.
***SPOILERS END***
When the lights came back on in the
theater, I couldn’t help but think “Man, when am I going to have the time to
watch The Godfather Part II?” After all these years, I was still a fan and
enjoyed the story as much as I did all those years back watching my VHS copy.
As for my wife, she enjoyed the movie too. I did have a text message waiting
for me the moment I turned my phone back on. The message? “It insists upon
itself.” Some things will never change, but I guess that’s what is so great
about movies: everyone’s experience is different and half the fun is debating
films once they’re over. I can’t wait until the next Throwback Thursday to see
where the chips fall. Until then, “Leave the gun. Take the cannoli.”
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